Our collection and production are not always he same. Much of what is made in our collection use limited or deadsock fabrics, making it difficult to produce them in quantity. Additionally, as primarily a bespoke label, we develop most of our designs as one off’s for clients, and our collections in the past have been a reflection of that specificity. That being said, since the FW24 collection we have begun developing more of the line as RTW, meaning that more of that is seen in the show will be availible for purchase for the general audience soon.

If you’re interested in something from a past collection that is unavailable, please reach out and we can discuss creating it for you as bespoke garment.

Because Sivan is committed to sustainability not just in design, but also in production. In order to prevent over production and waste, collecting presale purchases before or at the beginning of manufacturing provides us the information we need to more effectively predict the wants and needs of our customers. Knowing more about how much our clients want of each style and each fabric will help us avoid material waste. As a young brand we need all the information we can get, we appreciate our clientel’s patience, and willingness to step away from the industries current standard of over production and waste in the pursuit of quicker and quicker deliveries.

Not at the moment. As a small operation we simply do not yet have the ability to guarantee returns for all customers.

We understand that buying fitted clothing online can be a bit of a risk in terms of fit, and as such we offer our substantial abilities as tailors to alter clothing as needed. Please reach out for further questions about alterations and customizations.

Deadstock refers to a garment or material that is no longer in production. A deadstock fabric might not necessarily be old, but since no more of it is likely to be made, it is inherently more rare and (in my opinion) special. A vintage fabric is an older textile, it is also likely to be deadstock. Most of my vintage fabrics I’ve purchased as the last few yards on their role, meaning that they are very likely to be all that is left in the world of that material. Deadstock and vintage fabrics, despite their inherent uniqueness and rarity can come with drawbacks. Older material has sometimes been in storage for years and may be discolored or otherwise superficially imperfect. I tend to try and work around those imperfections, but some may come through. This doesn’t effect the overall quality of the material or garment construction, but it is an added challenge to working in material with its own history.